The main references to important subjects are in bold type. References to illustrations appear in italics. Works of art are indexed under the artist; architecture appears under both architect and place. All references to antiquities appear under the heading 'Antiquities as sources'.
Academies of art, 13, 121-2, 149, 173-5, 186, 197, 204-5,233,275 —see also under Bologna, Cortona, England,
Florence, France, Rome. Adam, R., 194
Aix-la-Chapelle (Aachen), 25-6, 27, 45, 25 Alberti, L. B., 85, 123, 128-33
—S. Andrea, Mantua, 132, 139, 142, 144, 132 —S. Francesco, Rimini ('Tempio Malatestiano'),
131, 144
—S. Sebastiano, Mantua, 131 —and antiquity, 13, 39, 52 —and Bramante, 134-5 —and Brunelleschi, 125, 128 —and Ghiberti, 77 —and Leonardo, 90 —and Palladio, 144 —and Raphael, 139 —and restoration of Rome, 51-2 —as theorist, 16, 58, 80-1, 90, 128-31 —other mentions, 140, 192 Algarotti, F., 56-7 Ancients and Moderns, Quarrel of the, 175, 199,
206, 231-2
Ancy le Franc, Chateau, 177-8, 176 Anet, Chateau, 179-81, 184, 193, 178, 179 Angivillier, Comte d', 205, 210 Antiquities as sources: Architecture, Rome:
—Arch of Constantine, 23, 39-40, 69, 102,
116,40
—Arch of Janus Quadrifons, 97 —Arch of Septimius Severus, 116, 30, 51 —Arch of Titus, 116 —Basilica of Maxentius, 130 —Baths of Caracalla, 97 —Baths of Trajan, 61 —Colosseum, 60, 131, 142, 180, 181, 136 —Golden House of Nero ('Domus Aurea'), 41,
57, 61, 63, 64, 104, 137, 41, 57 —Pantheon, 126, 130, 131, 138, 146, 126
—Temple of Minerva Medica, 124
—Temple of Venus and Rome, 180, 179
—Temple of Vesta, 127
—baths and temples as types, 127, 132, 145, 188, 133, 145
—mausolea as types, 65, 127, 131, 132, 64, 65,
127 Architecture, Praeneste:
—Temple of Fortune, 64, 63
—Villa Colonna, 62 Architecture, Tivoli:
—Hadrian's Villa, 62, 64, 65-6, 137
—Temple of Hercules Victor, 64
—Temple of Vesta ('of the Sibyl'), 127, 130,
128 Architecture, Early Christian:
—Golden Triclinium of Justinian, Constantinople, 25
—Martyria as types, 127, 137, 64, 65, 127
—Mausoleum of Theodoric, Ravenna, 131, 132
—Palace of the Exarchs, Ravenna, 26
—S. Costanza, Rome, 127, 131, 128
—Old St Peter's, Rome, 97
—S. Vitale, Ravenna, 25, 24 Sculpture~except sarcophagi:
—Antinous type, 81
—Apollo Belvedere, 35-6, 55, 77, 104, 203, 34
—Bed of Policletus, 212, 212
—Borghese Dancers, 202
—Hadrianic adlocutio (Arco di Portogallo), 74
—Hercules Farnese, 154
—Hermaphrodite, sleeping, 217
—Horse Tamers of Monte Cavallo, 112
—Justinian, equestrian statue, Constantinople, 81
—Laocoon, 36, 55, 56, 57, 77, 96, 113, 116, 117, 120, 154, 212, 216, 36, 56
—Marcus Aurelius, equestrian statue, 26, 27, 47,81,93,47
—Pasquino, 113, 114
—Quadriga, S. Mark's, Venice, 81
—Regisole, Pa via, 81
—Torso Belvedere, 36, 55, 203, 36
—Trajan's Column, 28, 38, 28, 38
—Venus pudica type, 35
—Zeus, colossal statue, Elis, 226 Sarcophagi, pagan:
—Bacchic, 35, 80, 95
263
—battle type, 93, 111, 154 —Indian triumph of Bacchus, 39, 39 —Meleager hunting the boar, 69, 73, 74 —Meleager's death (including conclamatio type), 35, 36-7, 80, 95, 202, 209, 216, 37 —Nereid sarcophagus, 39 —Niobe, death of children of, 38 —Pelops, 76 —Phaedra, 69, 10, 69 Sarcophagi, Early Christian: city gate type, 40, 102 —columnar, 102, 22 —traditio legis type, 40, 40 Painting:
—Aldobrandini wedding, 40-1, 202, 41 —grotesques, 52, 57, 61 Etruscan antiquities: see under
Etruscans I Etruscanism Greek antiquities (see also under Greek antiquity): —Elgin Marbles, 35, 42, 219 —Lysicrates Monument, Athens, 43 —Theseus of the Parthenon, 116 —grave stelae, 110, 42 —vases, 31, 218, 226 Books of antiquities: —Bartoli, 160, 213 —Biondo, 52 —Caylus, 198 —Duperac, 51, 60 —Fulvio, 52, 53, 52 —Golzius, 25 —Graevius, 198 —Gronovius, 198 —Mirabilia Romae, 47-50, 48, 49 —Montfaucon, 198 —Palladio, 145, 145, 146, 147, 193 —Perrier, 37 —Piranesi, 19O-1 —Vico, 53
—Winckelmann, 198 Collections of antiquities: 53-5, 61,
96, 110, 150, 177, 203 Survival and revival of antiquities: 19-33
—architecture, 21, 29-31, 57, 62ff, 30, 48, 55
—ivories, 21, 26-7, 26
—manuscripts, 21, 26, 27
—paintings, 21, 57, 41
—sarcophagi, 22-4, 29, 32, 58, 69, 22, 23, 69,
70 —sculpture and coins, 21, 29, 57-8, 28, 31,
41, 43, 52, 54
Arc-en-Senans, Salines de Chaux, 192 Aristotle, 200 Aries:
—St-Gilles du Card, 29 —St-Trophime, 29, 30 Arnolfo di Cambio, 69, 70, 71 Aspertini, A., sketchbook, 43, 63 Aulus Gellius, 11
Barberini, Cardinal F., 59, 74, 163, 173 264
—for Palazzo Barberini, see under Rome Bartoli, P. and F. S., Admiranda . . . veteris
sculpturae vestigia, 160, 213 Baudelaire, C., 225-6, 232, 233 Bellay, Cardinal J. du, 178 Bellini, G., 94
Bellori, G. P., 12, 159, 160, 168, 173 Bernini, G. L., 154, 155, 156, 185
—and Canova, 215
—and Mansart, 185
—in Paris, Louvre designs, 147, 173, 185, 186
—and Poussin, 168 Biondo, F., Roma instaurata, 52 Blenheim Palace, 194 Blerancourt, Chateau, 181 Blois, Chateau, Orleans Wing, 183-4, 185, 183 Boffrand, G., 187 Bologna, Accademia degli Incamminati, 149-50,
154 Borromini, F., 64-5, 147
—S. Carlo alle Quattro Fontane, Rome, 185 Botticelli, S., 35, 75, 99-100 Boullee, E. L., 191-2 Bracciolini, P., 54 Bramante, D., 127-8, 134-9, 147, 178, 180
—Cortile del Belvedere, Vatican, 63-4, 62, 63
—'House of Raphael', Rome, 146, 186
—S. Maria della Pace, Rome, 135
—S. Maria presso S. Satiro, Milan, 135
—St Peter's, Rome, rebuilding, 137-9, 138, 139
—S. Pietro in Montorio, Rome, tempietto, 53, 127, 134, 135-7, 140, 181, 133, 137
—and Alberti, 129, 132
—and antiquity, 53, 55, 63-4, 65, 93, 134
—and Leonardo, 134, 135, 138, 139
—and Michelangelo, 142
—other mentions, 95, 97, 140 Breton, G. le, 177 Brosse, S. de, 181-3
—Coulommiers, Chateau, 182
—and Mansart, 183 Brunelleschi, F., 45, 80, 83, 123-5, 127, 134
—S. Croce, Pazzi Chapel, 124, 125
—S. Maria degli Angeli, 727
—S. Maria dei Fiori (Cathedral), 127
—and Alberti, 128-9, 132
—and Bramante, 138
—and Ghiberti, 76
—and Michelangelo, 142
—and Sangallo, 132-3 Burlington, Richard Boyle, Earl of, 194
—Chiswick House, 194
Caesariano, editor of Vitruvius, 130 Campbell, C., 194
—Mereworth Castle, 193
—Wanstead, 194 Canova, A., 199, 201, 215-18, 223, 228
—Pauline Borghese, 218
—Monument to Clement XIV, 215
—Haro funerary relief, 216
—Napoleon, 217
Caprarola, C. da., et al, 139, 139 Capua, triumphal arch, 32, 46 Caravaggio, 158, 159-60, 162, 164, 201
—Conversion of Saul, 159
—and J. L. David, 209, 210 Carracci, Annibale, 104, 117, 150-4, 159, 171, 212
—Assumption of the Virgin, 151
—Christ in Glory, 148
—Farnese Gallery, 117, 150-4, 156-7, 159, 152-3, 154
—and Poussin, 154, 164, 167
—and Raphael, 149, 150-1
—and Vouet, 162, 163 Carracci, Lodovico, Virgin and Child with
St Francis, 150 Carracci, the, 121, 149-50, 156, 159, 201, 203, 205
—Accademia degli Incamminati, 149-50, 154
—and David, 209, 212
—and Diderot, 207 Castagno, A. del, 85, 86, 89,
—Last Supper, 91 Castel del Monte, 18 Castle Howard, 194 Cavaceppi, B., 215
—View of his studio, 198 Cavallini, P., 74 Caylus, Comte de, 198, 204 Central plan buildings, religious: 93, 123-8,
129, 130, 134
—Aix-la-Chapelle (Aachen), palace chapel, 25
—Anet, chapel, 180-1, 178, 179
—Florence, Cathedral, 123, 124, 134, 127
—Florence, Cathedral Baptistry, 123, 124
—Florence, SS. Annunziata, 124, 127
—Florence, S. Croce, Pazzi Chapel, 125,
124, 125
—Florence, S. Lorenzo, Old Sacristy,
123, 124, 125 —Florence, S. Maria degli Angeli, 124,
125, 128, 134, 127 —Milan, S. Maria delle Grazie, 135 —Milan, S. Satiro, 135, 135 —Paris, Minimes, 185
—Paris, St-Genevieve (Pantheon), 188
—Paris, St-Denis, 181
—Paris, Visitation, 184
—Rome, S. Maria della Pace, 127
—Rome, S. Maria del Popolo, 127
—Rome, Pantheon (i.e. S. Maria Rotonda), 126, 126
—Rome, St Peter's, 137
—Jerusalem, Church of the Holy
Sepulchre, 127 Central plan buildings, secular: see under
Coulommiers, Montceaux and Paris, Luxembourg Cerceau, J. A. du (the Elder), 179, 181, 184, 180 Chalgrin, J.-F., 191, 192 Chambord, Chateau, 177, 177 Champagne, P. de, 163 Champigny-sur-Veude, Bourbon-Montpensier
chapel, 181 Charlemagne, 24-6, 27, 32, 45, 46
Charles X, King of France, 222, 223 Charleval, Chateau, 184 Chavannes, P. de, 85, 233 Chiswick House, 194 Choisy, Chateau, 205 Claude Lorrain, 170-2, 172
—'Altieri Claude', 170
—and England, 171-2
—and Poussin, 170-1 Colbert, J.-B., 173-^1, 185 Colonna, F. Hypnerotomachia Polifili, 55,
63, 120, 55
Constantine, Roman Emperor, 19, 25, .26 Cordemoy, Abbe de, 187 Corneille, P. de, 166, 210 Correggio, 87, 119, 149, 150, 156, 202, 203,
—Virgin and Child with Saints, 150 Cortona, P. da, 104, 156-7, 160, 162, 163, 173, 187
—Triumph of Divine Providence, 156
—and the Carracci, 154, 155 Cortona, Accademia Etrusca, 200 Cosmati (Roman marble workers), 71 Coulommiers, Chateau, 181, 183, 182 Courbet, G., 13, 232 Cyriacus of Ancona, 87, 116
Dante, 46
David, J. L., 192, 199, 205, 209-15, 221, 222-3,
224, 225, 226
—Andromache mourning Hector, 209, 212
—Brutus, 37, 209-10, 221, 211
—Lepeletier de Saint-Fargeau assassinated, 211-12, 213
—Marat, 211, 212, 213, 221, 208
—Oath of the Horatii, 191, 209-10, 213, 221 227, 211
—Oath of the Tennis Court, 211-12
—Sabine Women, 214, 221, 222, 226, 228, 214
—Socrates taking the Hemlock, 210
—and CanovL 215, 218
—and Greuze, 207
—and Ingres, 227, 228, 230
—and Poussin, 209 Delacroix, E., 222, 223, 224, 225, 229, 230, 231,
232
Delaroche, P., 231, 233 Delecluze, E., 221, 223, 230 Del'Orme, P., 161, 178-81
—Anet, Chateau, 179, 180-1, 184, 178, 179
—Architecture, 180, 130, 178, 180
—and Salomon de Brosse, 181
—and Mansart, 183, 184 Dempster, T., 200 Denon, D. V., 220, 222-3 Diderot, D., 192, 199, 205-7 Domenichino, 57, 154-6, 160, 171
—Intercession of the Virgin, 155
—St Cecilia giving alms, 155
—and the Carracci, 149
—and Diderot, 207
—and Poussin, 164, 165
—and Winckelmann, 203
265
Donatello, 40, 50, 54, 58, 76, 77-82, 84, 85, 86
—David, 80
—Gattamelata, 58, 81-2, 81
—Habbakuk, 78
—Judith and Holofernes, 78
—St George, 78, 85, 78
—St Mark, 77
—Santo Altar, 82, 87, 82
—Singing Gallery, 79, 79
—and Brunelleschi, 124, 125
—and Mantegna, 86-7
—and Michelangelo, 110, 112, 118
—and Raphael, 94, 102, 104 Duccio, A. di, 88
—Arberini tomb, 59 Dughet, G., 57, 172 Diirer, A., 226, 233 Dyck, A. van, 154, 163
Einhard, 25-6, 27
Elgin marbles, 35, 42, 219
England:
—Royal Academy, 197
—Society of Antiquaries, 197
—Society of Dilettanti, 197 Etruscans/Etruscanism/Etruria, 42, 82, 198,
200, 223
—architecture, 130, 190-1
—vases/urns, 214, 42
Falconet, E. M., 199
Felibien des Avaux, 161, 163
Feliciano, F., 87
Filarete, A., 134
Flaxman, J., 202, 214, 215, 218-19
—and Ingres, 226, 228 Florence: (see also under Alberti, Brunelleschi,
Michelangelo):
—Cathedral, 123, 124, 134, 127
—Cathedral, Porta della Mandorla, 50, 111
—Cathedral Baptistry, 45, 123, 124, 127
—SS. Annunziata, 124, 127
—S. Croce, Pazzi Chapel, 125, 128, 124, 125
—S. Lorenzo, 123, 124, 125, 128, 142, 141
—S. Maria degli Angeli, 124, 125, 128, 134, 135, 127
—S. Maria Novella, 131
—S. Pancrazio, 85, 123, 132
—S. Spirito, 125, 134
—Accademia del Disegno, 122
—Palazzi: Gondi, 132; Medici, 132; Pitti, 132; Rucellai, 132; Strozzi, 132
—Laurentian Library, 140
—Florence as a Roman settlement, 45 Font de Saint Yenne, La, 204 Fontainebleau, Chateau, 117, 161
—Aile de la Belle Cheminee, 178, 178
—Chapelle de la Trinite, 161
—Porte Doree, 177 France, academies:
—Academic des Beaux-Arts, 224
—Academic Francaise, 174
266
—Academic des Inscriptions et Belles- Lettres, 173
—Academic Royale d'Architecture, 173, 186
—Academic de Peinture, 122, 173, 174
—Academic des Sciences, 173
—Academic Francaise, Rome, 174-5, 205,
209, 224, 227, 231
Francesco di Giorgio, manuscripts, 133 Francois I, King of France, 173, 178
—his tomb, 179
Frederick II, Holy Roman Emperor, 32-3, 46, 69 Fulvio, A.,
—Antiquitates Urbis . . ., 52
—Illustrium Imagines, 53, 52
Gabriel, J. A., Petit Trianon, 186, 189, 189 Gentile da Fabriano, 50, 83 Gerard, Baron F., 218, 222, 223 Gericault, T., 220, 221-2, 223, 228
—Raft of the Medusa, 221 Ghiberti, L., 76-7,83, 116
—Sacrifice of Isaac, 75
—St Matthew, 77
—St Stephen, 77
—and antiquity, 50, 54, 75, 212 Ghirlandaio, D., 35, 90-1, 110 Giorgione, 90, 119 Giotto, 32, 37, 50, 72-4, 84, 158
—Flight into Egypt, 74
—Kiss of Judas, 73
—Lamentation, 37
—and David, 213
—and Donatello, 82
—and Ghiberti, 77
—and Michelangelo, 110
—and Raphael, 102 Girardon, F., 184
—his Cabinet of Antiquities, 54 Girodet, A. L., 218, 223 Goethe, J., 190, 204
Golzius, H, Icones Imperatorum Romanorum, 25 Gothic art, 75, 76, 83, 84, 124
—versus antiquity, 12, 13
—northern Gothic, 30-1, 226
—sculpture, 32, 70-1
—gothic art as primitivism, 187-8, 221
—gothic revival, 192, 194 Graevius, J. G., 198 Grand Tour, 194, 195, 197 Greek antiquity, 42-3, 187-8, 198-204 passim
—extends European horizons, 189-90, 190-1
—Greece as inspiration to artists, 42-3,
205, 209-11 passim, 214, 226, 233 Greuze, J.-B., 205-7, 209, 216
—Village Bride, 207 Gronovius, J., 198 Gros, Baron A. J., 220, 222, 223
—Napoleon at Eylau, 222 Guercino, 149, 154, 157-8, 173
—Aurora, 157 Guerin, F., 218, 224 Guido da Como, pulpit, 71
Hamilton, G., 199, 201-2, 216
—Andromache mourning Hector, 201 —Schola Italica Picturae, 201
Hancarville, P. d', Imaginary Tomb of Winckelmann, 203
Hay don, B. R., 219
Herculaneum, 62, 197, 199, 201, 205
Holkham Hall, 194
Homer, 200, 224
—as a source, 201, 205, 209, 214, 216 —Apotheosis of Homer (Ingres), 230
Horace, 11-12
Hypnerotomachia Polifili, 55, 63, 120, 55
Ince Blundell Hall, 195 Ingres, J. A. D., 225-32
—Ambassadors of Agamemnon at tent of Achilles, 226
—Apotheosis of Homer, 229-30, 231, 230
—Bather of Valpincon, 228, 228
—Christ giving the keys to Peter, 229
—La Grande Odalisque, 227, 228, 219
—Napoleon at Liege, 226
—Napoleon on the Imperial Throne, 226-7, 227
—Riviere family portraits, 226
—Romulus, conqueror of Acron, 227
—Stratonice, 227, 231
—Turkish Bath, 228
—Virgil reading the Aeneid to Augustus, 10
—Vow of Louis XIII, 229, 229
—and Canova, 217
—and Delacroix, 224
—and Poussin, 225, 226, 227, 231
—and Raphael, 225, 226-31 passim
Jal, A., 223 Jerusalem:
—Church of the Holy Sepulchre, 127
—Temple, 126 Jones, L, 193, 197
—Banqueting House, 193
—Stoke Bruerne, 193
Kent, W., 194 Knight, R. P., 219
Lamberti, P. di N., 76 Lanfranco, G., 154-5, 156 Laugier, Abbe, 187-8, 207 Laurens, J., 232 Lebrun, C, 162, 163, 185, 205, 222
—Louvre, East Facade, 186
—as academician, 159, 174 Lecce, S. Croce, 20
—Cemetery, 192 Ledoux, C, N., 189, 192
—CityofChaux, 190
—Pavilion de Mme du Barry, 189 Lemercier, J., 184, 185 Lenoir, A., 220-1, 226 Leonardo da Vinci, 55, 89-93, 122, 149, 184
—Adoration of the Magi, 90, 90
—Battle of Anghiari, 38, 92-3, 92
—Last Supper, 90-2, 134, 91
—Mona Lisa, 107
—Virgin of the Rocks, 90
—as architect, 134, 134
—in France, 184
—and Bramante, 134, 135, 138
—and Mansart, 184
—and Michelangelo, 92, 111
—and Raphael, 90, 92, 93^1, 96, 98 Lescot, P., 179, 181, 185
—and Mansart, 183 Le Sueur, E., 162, 174, 207, 209 Le Vau L. 184, 185, 187
—Louvre, East facade, 186 Liege, St-Barthelemy, font, 31 Ligorio, P., 61, 64, 65-6, 144, 61 Lippi, Filippo., 84, 86, 87 Lippi, Filippino, 90 London:
—St Paul's Cathedral, 193
—Banqueting House, 193
—Queen's House, Greenwich, 193 Lorsch Gospels, cover, 26 Louveciennes, Chateau, Pavilion de Mme du
Barry, 189, 189 Lucca, S. Frediano, font, 22 Luneville, Chateau, 187
Maderno, C., 147, 181, 184
—S. Susanna, Rome, 144, 181 Maisons, Chateau, 185 Manetti, A., 124
Malvasia, C. C., Felsina Pittrice, 173 Mannerism, 117, 121-2, 149, 159, 160, 161
—in architecture, 140-4
—in Michelangelo, 117-19, 140, 142, 144
—in Raphael, 98, 99 Mansart, F.. 183-5
—Blois, Chateau, Orleans Wing, 183, 185, 183
—Maisonsl Chateau, 185
—Paris, Lbuvre, 185
—Paris,-Minimes, 185
—Paris, St-Denis, Bourbon Mausoleum, 184, 184
—Paris, Val-de-Grace, 144, 184
—Paris Visitation, 184, 184 Mansart, J. H., 187 Mantegna, A., 53, 66, 82, 85-8, 95, 173
—Camera degli Sposi, Mantua, 87, 88, 102, 150
—Scenes from the lives of SS. Christopher and
James, 86, 87 Mantua:
—Cathedral, 144
—S. Andrea, 132, 139, 142, 144, 132
—S. Sebastiano, 131-2, 135, 131
—Castello, 87-8
—Palazzo Te, 88, 141-2, 141 Maratta, C., 160
Marvuglia, A. E., monument, 191 Masaccio, 35, 57, 75, 80, 82-4, 85, 90, 102
—Brancacci Chapel frescoes, 83^, 90, 116, 124, 83
267
INDEX
—Trinity, 83
—and Michelangelo, 110, 116 Masolino, 50, 84 Matteo de' Pasti, Medal of S. Francesco,
Rimini, 123 Mengs, A. R., 160, 202-3
Parnassus, 202
—Gedanken . . ., 202
—and Winckelmann, 160, 199, 203 Mereworth Castle, 193 Michelangelo, 110-119
—Battle of Cascina, 113
—Battle of Lapiths and Centaurs, 111
—David, 58, 111-12,112
—Julius Monument, 15, 58, 114
—Laurentian Library, 140
—Medici Chapel, 15, 117-18, 117, 141
—Pitti Tondo, 110
—St Matthew, 113
—Sistine Chapel, 15, 36, 114-17, 151, 209, 114, 115
—Slaves, 114, 117, 173
—Victory, 118
—architecture, general, 47, 64, 117, 142
—Capitoline Hill, 47, 142, 147, 50, 143
—and the Carracci, 151
—and David, 209
—and Leonardo, 92, 111
—and Mannerism, 121, 140, 142, 117 118
—and Neoplatonism, 15, 110
—and Raphael, 94, 95, 96, 99-101, 102, 108, 111, 117, 119
—and Titian, 120
—forgery after Michelangelo, 59
—other mentions, 15, 42, 54, 58, 75,
82, 159, 160, 161, 201, 212 Michelozzo, 80, 124, 127, 132 Milan:
—S. Ambrogio, 28
—S. Lorenzo, 137
—S. Maria delle Grazie, 134, 135
—S. Maria presso S. Satiro, 135, 135 Milizia, F., 146 Montanus, G. B., 65, 65 Montceaux, Chateau, 183 Montepulciano, S. Biagio, 139, 180 Montfaucon, B. de, 198, 213, 226
Nanni di Banco, 76, 78
—Four Saints, 79 Naples, Castel Nuovo, 177, 33 Napoleon Bonaparte, 192, 195, 215, 217, 218,
220-3, 226, 227 Neoclassicism, 197-224
—in England, 172, 197, 218-19
—in French architecture, 186, 187, 188, 191
—in French painting, 186, 204-15, 220-4
—in Rome, 201^, 215-18
Neufforge, F. de, Recueil elementaire d'architecture, 189
Orange, triumphal arch, 132 Ossian, 200
Otto I, Holy Roman Emperor, 27 Otto III, Holy Roman Emperor, 28, 46
Paestum, Temple of Neptune, 190, 190
Palestrina: see Praeneste
Palladio, A. del, 53, 62, 63-4, 66, 129, 133, 137,
144-7, 189
—Venice, Redentore, 144-5, 145
—Vicenza, Loggia del Capitanio, 147, 185
—Vicenza, Palazzo Thiene, 147, 147
—Vicenza, Villa Rotonda, 146, 193
—Iquattro libri . . ., 137, 145, 146 Paris:
—Minimes, 185
—St-Denis, tomb of Francois ler, 179
—St-Denis, Bourbon Mausoleum, 184, 184
—St-Denis, Valois Mausoleum, 181, 183, 184, 182
—St-Genevieve (Pantheon), 131, 188, 213, 222
—St-Gervais, 181-3
—St-Paul-St-Louis, 185
—St-Philippe-du-Roule, 191
—Val-de-Grace, 144, 184
—Visitation, 184, 184
—Arc de Triomphe de 1'Etoile, 192
—College des Quatre Nations, 184
—Ecole de Medecine, 191
—Gates, toll-booths, 192, 192
—Madrid, Chateau de, 177
—Monuments Francais, Musee des, 220-1, 226
—Palaces: Place de la Concorde, 186
—Palaces: Louvre, 147, 167, 179, 185, 220
—Palaces: Louvre, Gallery of Apollo, 205
—Palaces: Louvre, East Facade, 185, 186, 187, 186
—Palaces: Luxembourg, 161, 163, 175, 181, 183
—Palaces: Tuileries, 184 Patte, P., 220 Percier and Fontaine, triumphal arch, 192,
192
Perrault, C, 185, 187, 190, 186 Perugino, P., 88, 104, 126, 173
—and Raphael, 93, 95, 99, 126 Petrarch, 46, 47, 48-9, 50, 52, 53 Peyre, M.-J., 188-9, 192,
—Cours d'architecture, 188 Pienza, 132 Piero della Francesca, 84-5, 93, 94, 134
—Flagellation, 84 Piles, R. de, 175 Pinturicchio, 62-3, 88, 104, 57 Piranesi, G. B., 188, 190-1, 200
—Temple of Neptune, Paestum, 190
268
INDEX
Pisanello, 50, 83 Pisano, A., 71-2 Pisano, G., 32, 70-1, 70 Pisano, N., 19, 32, 69-70, 74
—Pisa Baptistry pulpit, 19, 32, 51, 69-70, 71, 76,84, 111,32,68, 70
—and antiquity, 32-3, 58, 73 Plutarch, 201, 205, 223 Poggio a Caiano, villa, 133, 177 Pompeii, 62, 197, 199, 201 Poussin, N., 156, 163, 163^8, 172, 175, 201,
202, 205
—Et in Arcadia ego, 168, 169
—Exposition of Moses, 169
—Judgment of Solomon, 165-6, 165
—Holy Family on the Steps, 167
—Martyrdom of St Erasmus, 162
—Sacraments, 166-7, 166
—Seasons, 167-8, 168
—Testament of Eudamidas, 167, 220, 167
—and antiquarianism, 43, 160, 164, 166-7
—and the Carracci, 154, 159, 164, 166-7
—and Claude, 170, 171
—and David, 209
—and Dughet, 172
—and Greuze, 206
—and Ingres, 225, 226, 227, 231
—and Lebrun, 174
—and Raphael, 164, 167
—and Vouet, 161, 162
—other mentions, 61, 121, 160, 173,
189, 202, 213, 223 Pozzo, C. dal, 43, 160, 164 Praeneste: see under Antiquities as sources Primaticcio, 161, 163, 178, 181, 184
—Fontainebleau, Chateau, Aile de la Belle Cheminee, 178
—Paris, St-Denis, Valois Mausoleum, 182
Quatremere de Quincy, A. C., 199, 217-18, 219,
224, 226-7, 231 Quercia, J. della, 110, 111, 116
Rabelais, F., 178-9
Racine, J., 166, 230
Raimondi, M., 56, 110
Rainerof Huy, 31'
Raphael, 93-110, 155, 160, 174, 202
—Baldassare Castiglione, 94, 106-7, 107
—Betrothal of the Virgin, 93^, 126, 93
—Bridgwater Madonna, 95
—Entombment, 95
—Madonna of the Chair, 107
—Madonna of the Curtain, 108
—Madonna of Foligno, 105, 150, 105
—Madonna of the Goldfinch, 94
—Madonna types, 94-5
—St Catherine, 96
—Sistine Madonna, 105-6, 203, 106
—Tapestry Cartoons, 99-102, 150-1, 164, 101, 102, 158
—Transfiguration, 108-9, 109
—Vatican logge, 97, 104, 151, 105, 164
—Vatican: Stanza della Segnatura, 13, 15-16, 53, 65, 90, 96-7, 109, 132, 149, 14, 97, 98
—Vatican stanze except the Segnatura, 63, 95-7, 105, 108, 202, 209, 99, 100
—Villa Farnesina, 63, 97, 102^1, 151, 164, 104
—Villa Farnesina, Galatea, 103
—and antiquity, 37, 53, 65, 96, 102,
104
—as architect, 127, 138, 139 —and A. Carracci, 149, 150, 151 —as 'curator of Rome', 43, 52, 59, 102, 104, 110 —and Ingres, 225, 226-31 passim —and Leonardo, 90, 92, 93-4, 96, 98,
105-8 passim
—and Mannerism, 99, 108-9, 121 —and Mengs, 202-3 —and Michelangelo, 94, 95, 96, 99,' 101,
102, 108, 111, 117, 119 —and Poussin, 164, 167 —and Titian, 119-20 —and Winckelmann, 203 —other mentions, 13, 35, 60, 82, 85, 126, 129, 159,
189, 201, 205, 209, 224, 233 Ravenna:
—S. Vitale, 25, 24
—Palace of the Exarchs, 26 Renaissances:
—Carolingian, 24-7
—Ottonian, 27-8
—Twelfth century, 29-32
—South Italian and Sicilian, 32-3
—Italian Renaissance in Florence, 75-85, 123-5
—Italian High Renaissance, 89-122,134ff. Reni, G., 157-9, 164, 173, 174, 201
—Aurora, 157
—Massacre of the Innocents, 158
—and the Carracci, 149, 154
—and Winckelmann, 203 Reynolds, Sir J., 12, 16-17, 160, 172, 174, 202,
205, 209, 22/4
—Parody/oT the School of Athens, 199 Rheims,\Antique Master of, 31, 32, 31 Riccio, conclamatio relief, 37 Richardson, J., 171-2 Richelieu, Chateau/town/Cardinal, 173 Rimini, S. Francesco ('Tempio Malatestiano'), 131,
132, 135, 144, 123 Robbia, L. della, 79, 81
—Singing Gallery, 79 Rollin, Roman History, 223 Romano, G., 98, 108, 110, 141, 147
—at Mantua, 88, 104, 141-2
—Mantua, Cathedral, 144
—Mantua, Palazzo Te, 141 Rome:
Academies:
—Arcadia, 61-2 —di S. Luca, 122, 174
—French School, 174-5, 205, 209, 224, 227, 231
269
Churches (for antique buildings see under Antiquities as Sources) : Gesu, 144, 160
— S. Agnese, 185
— S. Carlo alle Quattro Fontane, 185
— S. Costanza, 128
— S. Maria Antiqua, 21
— S. Maria Maggiore, 21
— S. Maria della Pace, cloister, 127, 135, 135
— S. Maria del Popolo, inc. Chigi Chapel, 104, 127, 30
— S. Nicola in Carcere, 48
— S. Sabina, 28
— S. Susanna, 144, 181
— S. Pietro in Montorio, Tempietto, 53, 127, 134, 135-7, 140, 181, 137
other modern buildings:
— Capitoline Hill, 47, 48, 55, 142, 147, 50, 143
—House of Raphael, 146, 186
—Palazzo Barberini, 157, 160, 756
—Palazzo Farnese, 151-4, 156, 157, 152-3, 154
—Villa Albani, 202
—Villa Farnesina, 63, 97, 102^1, 151, 164, 103,
104
—Villa Giulia, 61 Vatican :
—Borgia Apartments, 88, 104
— Cortile del Belvedere, 63-4, 62
— Logge, 97, 104, 151, 164
— St Peter's, 58, 60, 61, 97, 127, 140, 142, 187, 138, 139
— St Peter's, rebuilding, 51, 89, 129, 137-9, 142, 180, 181
— St Peter's, its piazza, 147
—Stanza della Segnatura, 13, 15-16, 53, 65, 90, 96-7, 98, 109, 132, 149, 14, 97, 98
— Stanze except Segnatura, 95-9, 105, 108, 109, 202, 209, 99, 100
— Sistine Chapel, 88, 99
— Sistine Chapel Ceiling, 36, 56, 96-7, 114, 151,209, 114,115
Rome as a concept :
—as artistic centre, 88, 89, 173, 197 —as an idea, 45-51, 54, 224, 233
— its restoration after the Middle Ages, 50-3, 110, 129, 46
— Second Rome (Aix-la-Chapelle), 26, 45 —use of its antiquities, 51-67
Romorontin, palace, 184 Rossellino, A. & B., 81, 132 Rubens, P. P., 88, 121, 161, 163, 175, 223 —and antiquity, 120, 154
Sacchi, A., 160
Saint-Maur, Chateau, 181
Salutati, C., Florentine Chancellor, 50, 75
Sandrart, J. von, 161, 165, 170
Sangallo, A. da, the Elder, 139, 180, 138
Sangallo, G. da, 132-3
Sansovino, 40, 147, 30
Sarto, A. del, 90
Sebastiano del Piombo, 102, 108
Serlio, S., 63, 64, 66, 129, 135, 147 —Ancy le Franc, Chateau, 177 —Architecture, 178, 44, 64, 66, 126, 137 —Architecture, True Sixth Book, 184 —Ostia, reconstruction, 179
Settignano, D. da, 81
Seurat, G., 85, 233
Soane, Sir J., 194
—interior of his house, 198
Soufflot, J., 188, 205
Squarcione, 85
Stoke Bruerne, 193
Stowe, House, 195
Stuart & Revett, 201
Tassi, A., 158, 170, 171
Titian, 88, 119-21, 149, 164, 202
—Assumption of the Virgin, 120
—Diana and Actaeon, 119
—Pesaro Madonna, 121 Tivoli, Villa d'Este, 61, 65-6, 66, 67 (for antiquities
see Antiquities as Sources) Todi, S. Maria della Consolazione, 139, 139 Tournehem, L. de, 175, 204-5 Triumphal Arch:
—Anet, Chateau, 180, 178, 179
—Capua, 32, 46
—Fontainebleau, Chateau, Porte Doree, 177
—Naples, Castel Nuovo, 177, 33
—Orange, 132
—Paris, Arc de Triomphe de 1'Etoile, 192
—Urbino, Palazzo, 177
—as a motif, 13, 19, 21, 27, 29, 69, 87, 116, 131, 142, 147, 220, 30
Uccello, P., 81, 85, 86
—Hawk wood Monument, 81 Urbino, Palazzo Ducale, 177
Valentin de Boulogne, 161, 164 Valla, L., 29, 49 Vanbrugh, Sir J., 194
—Blenheim Palace, 194
—Castle Howard, 194 Vasari, G., 12, 58, 89, 121, 149, 233
—quotations from his Lives . . ., 32, 69, 71, 78, 84, 85, 86, 89, 91, 110, 111-12, 119, 124
—and the Accademia del Disegno, 122 Venice:
—St Mark's, 21
—Redentore, 145 Verneuil, Chateau, 181, 183 Verrocchio, A. del, 89, 112 Versailles:
—Chateau, 186-7
—Chateau, chapel, 187
—Petit Trianon, 186, 189, 189 Vicenza, 146-7
—Loggia del Capitanio, 147, 185
—Palazzo Thiene, 147
—Villa Rotonda, 146
270
Vien, J., 192, 205, 209, 216
Vignola, G., 144, 178, 181
Virgil, 48, 171, 200, 204, 205
Vitet, L., 224
Vitruvius, 11, 16, 25, 64, 77, 130, 190,
130, 187
—Campbell's Vitruvius Britannicus, 194
—Caesariano's edition, 130
—Perrault's edition, 185, 187, 190
—and Alberti; 128-31
—and Palladio, 145, 146 Vouet, S., 161-3, 174
—Martyrdom of S. Eustache, 762
Walpole, H., 158-9, 194
Wanstead House, 194, 194
West, B., 216
Westmacott, Sir R., 219
Winckelmann, J., 12, 15, 199, 203-4, 206,
212, 220, 228
—and Canova, 215, 216
—and Mengs, 160, 203
—imaginary tomb, 203 Wren, Sir C., 193
Zoffany, J., Towneley and his Friends in his Gallery, 196
Picture Credits
Permission to reproduce copyright material on the pages listed is gratefully acknowledged below. All other illustrations are either out of copyright, or by the author.
Ashmolean Museum, Oxford: 169 (top) Biblioteca Nazionale Centrale, Florence: 133 (left) Biblioteca Reale, Turin: 133 (right)
Duke of Sutherland Collection (on loan to the National Gallery of Scotland): 95, 119, 166
Gabinetto Fotografico Nazionale, Rome: 37 (bottom left), 59 (left), 68, 70 (both), 73, 74, 77 (left), 81 (right), 82, 84, 86, 87, 90, 93, 94, 95, 99, 105, 106, 108, 109, 111, 114, 115 (both), 124, 125, 134, 148,
150 (left), 151, 152-3, 155 (both), 156, 157 (both), 158 (left), 159, 165, 167 (bottom), 168, 196, 199, 211 (both), 214, 216, 217, 218, 228
Kunsthistorisches Museum, Vienna: 59 (right) Metropolitan Museum, New York: 210 Musees Royaux des Beaux-Arts, Brussels: 208 National Gallery, London: 96 National Trust, Anglesey Abbey: 170
Photographic Giraudon: Cover photograph of Ingres : La Grande Odalisque
Victoria and Albert Museum, London: 26, 101 Warburg Institute, London: 43, 63 (bottom)
271