Bibliography

Following a general section, this bibliography is divided by period, and where necessary by artist or architect or monument within each period, these focussed sectionws coming after more general materials. The periods (very roughly dated) are as follows:

In some instances, comments are attached which might be of use to the reader.

Throughout this presentation, the Harvard system of referencing is used; so that surname-date-page is all that is found in round brackets for the citation, varied only by A-B-C as appropriate where one author has written more than one piece in the same year.

General

  1. Laura Barbiani, ed., La piazza storica italiana, analisi di un sistema complesso, pp.229, Venice 1992
  2. M-T Baudry & D. Bozo, Principes d'analyse scientifique. La sculpture: methode et vocabulaire - the best survey of sculpture - in the series Inventaire General des Monuments et des richesses artistiques de la France, Paris 1990, pp.765 folio. This discusses methods: i.e. creation, modelling, casting and cutting techniques, then surface effects and incrustations, composition, theories of proportions. The second part of the work discusses vocabulary.
  3. Paolo Favole, Piazze d'Italia: architettura e urbanistica della piazza in Italia, pp.242, Milan 1972,
  4. Howard Colvin, Architecture and the afterlife, pp.418 + 358 illus, New Haven & London 1991; from megaliths onwards
  5. Jane Davidson Reid & Chris Rohmann, The Oxford Guide to Classical mythology in the Arts, 1300-1900, I, A-L, pp.627, New York & Oxford 1993 - looks very good: has vol II ever appeared?? This does it by subject/god/goddess/hero, gives a short summary with classical sources, then lists artworks chronologically, in ballet & music as well as painting etc; a quick impression is that it is fuller for later work, and very sketchy for earlier stuff; I can see it being useful to e.g. PhD students;
  6. Enrico Guidoni, L'urbanistica di Roma tra miti e projetti, pp.292, Bari 1990;
  7. Exhibition, Maria Teresa Lucidi, editor, La seta e la sua vita, Rome Palazzo delle Esposizioni 1994, pp.322 profusely illus., Rome 1994.
  8. Michel Martin, La statuaire de la Mise au Tombeau du Christ des XVe et XVIe siecles en Euope Occidentale, pp.415 + 328 illus, Paris 1997.
  9. Stephan Oettermann, The Panorama: history of a mass medium, pp.407 + many figures, Eng trans New York 1997; Author notes (p.23) the superficial similarity between panoramas and Baroque stage sets, but argues no continuity with panoramas; then discusses (p.25ff) the landscape and vedute as another source. After dealing pp.49ff with technical features of panoramas, he does them by country, in England, France, Germany, Austria and the uS. He counts (pp.345ff) 38 surviving panoramas;
  10. Sylvia Pressouyre, Rome au fil du temps: atlas historique d'urbanisme et d'architecture, pp.170, Paris 1973;
  11. Helene E. Roberts, editor, Encyclopaedia of comparative iconography: themes depicted in works of art, 2 vols, Chicago & London 1998; the treatment is broad rather than deep, but each entry gives a list of selected works of art, and a bibliography, usually restricted to books, but in all languages; Useful articles for popolo include: Annunciation; Apotheosis; Death; Devotion/Piety; Ecstasy; Funeral/Burial ;Light; Naked/Nude; Vanity/Vanitas
  12. Yvonne van Eekelen et al., The magical panorama: the Mesdag Panorama, an experience in space and time, Eng trans pp.200, The Hauge 1996. cf. same author, pp.11-25, "The magical panorama", for a brief history of the genre. She believes the first full panorama was of "The Grand Russian Fleet at Spithead in 1791", conceived by Robert Barker in 1793 in Leicester Square, to be followed by "several hundred" in the next century. Evelyn Onnes-Fruitema writes (p.27) that 20 panoramas of 19thC/early 20thC have been traced so far. The Mesdag Panorama of Scheveningen of 1880 has just been fully restored, and this book commemmorates the event. When announced, a newspaper critic asked (cf. p.67) "What sort of folly is this? If I want to see that type of thing ... then I drive out to Sheveningen, climb up a dune and observe the reality before me, which looks better than Mesdag will ever be able to paint it."

  13. V. Vercelloni, Atlante storico dell'idea europea della citta ideale, Milan 1994, pp.208.

    Antiquity

  14. Laura G. Cozzi, Le porte di Roma, Rome 1968;
  15. Michael Eisner, "Zur Typologie der Grabbauten in Suburbium Roms", Mitt DAI Roem. Abt. pp.254 Mainz 1986; BdJ magazin;
  16. Linda Farrar, Gardens of Italy and the Western provinces of the Roman empire: fropm the 4thC BC to the 4thC AD, pp.122, BAR, Oxford 1996; BdJ magasin;
  17. Reinhard Foertsch, Archaeologische Kommentar zu den Villenbriefen des juengeren Plinius, Mainz 1993.
  18. Jacques Charles-Gaffiot & Henri Lavagne, Hadrien: tresors d'une villa imperiale, pp.376, profusely illustrated, exhibition, Mairei du Ve arrondissement; with accompanying colloque, Hadrien, empereur et architecte at the Sorbonne), Milan 1999
  19. Pierre Grimal, Les Jardins Romains, 3rd ed., pp.518 + 42 figs + plates, Paris 1984,
  20. A Guillerme, "La destruction des aqueducs romains des villes du nord de la France", in Journee d'Etudes sur les aqueducs romains,Lyon 1977, Paris 1983, pp.167-73)
  21. Pierre Gros, L'architecture romaine du debut du IIIe siecle av. J-C. a la fin du Haut-Empire, I, Les monuments publics, pp.503 + 530 figs, Paris 1996, pp.26-55, with bibliography; includes a good summary of Roman walls and gates, and also pp.418-444 for monumental fountains and nymphaea - both with some excellentg reconstruction drawings;
  22. (A.Trevor Hodge, Roman aqueducts and water supply, pp.504 + 241 illus, London 1991
  23. Wilhelmina F. Jashemski, ed., Ancient Roman Villa Gardens, pp.260 and various plates, Dumbarton Oaks 1987
  24. Jean Kerisel, La pyramide a travers les ages, pp.213 + figs 119, Paris 1991. Very general and blatantly wide (Eiffel Tower? Borobudur?); but Ok for large illustrations...
  25. Henri Lavagne, CHECK SXURNAME SPELLING Operosa Antra: recherches sur la grotte a Rome de Sylla a Hadrien, pp.752 + 30 figs, Ecole Francaise de Rome, Bibl., fasc 272, Rome 1988).
  26. A.R. Littlewood, "Ancient literary evidence for the pleasure gardens of Roman country villas", in Jashemski, op.cit., pp.9-30;.
  27. W.L. MacDonald & JA Pinto,Hadrian's Villa and its Legacy, New Haven & London 1995, pp.392; cf. pp.266ff for the Renaissance revival of the villa
  28. Andrea Moneti, "Forma e posizione della villa degli Horti Lucullani secondo i rilievi rinascimentali: la loro influenza sui progetti del Belvedere e delle ville Madama, Barbaro e Andobrandini", in Palladio 1993 no.12 pp.5-24, and 1994 v.7no.13 Jan-June pp.5-18, 155; in the 15thC the rebulding of the villa on its own foundations was projected by Cardinal Michiel, Ermolao Barbaro, and Alexander VI, who entrusted Bramante to transfer the project to the Vatican, where it became the Belvedere;
  29. Inge Nielsen, Thermae et Balnea: the architecture and cultural history of Roman public baths, folio, text vol pp.208 + catalog & plates vol pp.212 + 259 figs, 2nd ed., Aarhus 1993;
  30. Cesare d'Onofrio, Gli obelischi di Roma: storia e urbanistica di una citta dall'eta antica al XX secolo, 3rd rev. ed., Rome 1992;
  31. Gilbert-Charles Picard, "Grotesques" TITLE NEEDED, Archeologia no.186, Jan 1984, pp.56-71;
  32. Nicholas Purcell, "Town in country and country in town" in Jashemski 1987, op.cit., pp. 187-203
  33. M.K. Thornton, Julio-Claudian building programs: a quantitative study in political management, pp.156, 1989; ;

    Middle Ages

  34. M. Carroll-Spillecke, ed.,Der Garten von der Antike bis zum Mittelalterr, Mainz 1992, pp.293 well illustrated. The papers can scarcely answer the question of mediaeval survival, question, but see the editor's own "Die Gaerten in ihrer kulturhistorischen Perspektive", pp.285-290;
  35. F. Gregorovius, Storia di Roma nel medioevo, 6 vols, Rome 1972 (in spite of its title, this book is also invaluable for the Renaissance to 1527);
  36. D. Pincus, review of Die Mittelalterlichen Grabmaler in Rom und in Latium von 13 bis zum 15 Jhdert in Speculum 72 July 1997 823-5;
  37. Emmanuel Rodocanachi, les monuments de Rome apres la chute de l'Empire, Paris 1914;
  38. Bernhard Schimmelpfennig & Ludwig Schmugge, eds., Rom im Hohen Mittelalter: Studien zu den Romvorstellungen und zur Rompolitik vom 10. bis zum 12. Jahrhundert, Sigmaringen 1992; cf. Peter Cornelius Claussen, Renovatio Romae. Erneuerungsphasen roemischer Architektur im 11. und 12. Jahrhundert, at pp.87-125; a good general survey with excellent bibliography. Includes a section on Faelschung und creatio ex novo. Die Substitution der Spolie, pp. 122-5. See also Werner Maleczek, Rombeherrschung und Romerneuerung durch das Papsttum at pp. 15-27 for the importance of the popes in the Imitatio Imperii;
  39. Crista Carbonetti Vendittelli, "La curia dei magistri edificiorum Urbis nei secoli XIII e XIV e la sua documentazione", in Etienne Hubert, ed., Rome aux XIIIe et XIVe siecles, Coll. de l'Ecole Francaise de Rome 170, Rome 1993, pp.3-42; important to emphasize the development of a sane building policy in the planning (or re-planning) of a modern city;

    Renaissance and Counter Reformation

  40. JR Ackerman, The Cortile del Belvedere, Vatican 1954,
  41. J. Ackerman, "The planning of Renaissance Rome, 1450-1580", in P.A. Ramsey, editor, Rome in the Renaissance: the city and the myth (Papers of]13th annual conference of the Center for Medieval & Early Renaissance Studies), Binghampton NY 1982, pp 3-17;
  42. Francesc o Negri Arnaldo, La sculptura del Quattrocento, pp.301, Turin 1994. cf. pp.93ff for Roma e il retaggio dell'antico;
  43. C. Burroughs, "A planned myth and a myth of planning: Nicholas V and Rome", in P.A. Ramsey, editor, Rome in the Renaissance: the city and the myth (Papers of 13th annual conference of the Center for Medieval & Early Renaissance Studies), Binghampton NY 1982, pp. 197-207;
  44. Charles Burroughs, From signs to designs: environmental process and reform in early Renaissance Rome, pp.344 Cambridge Mass & London 1990; BdJ magasin;
  45. D. Calabi, ed., Fabbriche, piazze, mercati: la citta italiana nel Rinascimento, Rome 1997, pp.478
  46. Enrico Castelnuovo, Niveo de Marmore: L'uso artistico del marmo di Carrara dall'XI al XV secolo, pp.370 + 126 illus, Exhibition, Sarzana 1992, pub'd Genoa 1992. Useful to cite not only for examples of the mechanics of getting stuff from the newly-reopened quarries to the work-sites (the catalogue is restricted to Pisa and the Lunigiana), but also has excellent bibliography;
  47. Roberto Paolo Ciadri & Severini Russo, eds,
  48. Le vie del marmo: aspetti della produzione e della diffusione dei manufatti marmorarei tra '400 e '500, exhbition Pietrasanta 1992, pp.176 + 123 illus, Pietrasanta 1992, with extensive notes and bibliography. See especially the summary in Marco della Pina, "Carrara e il marmo tra Quattrocento e Cinquecento" at pp.25-31.
  49. Bern Dibner, Moving the obelisks. A chapter in engineering history in which the Vatican obelisk in Rome in 1586 was moved by muscle power, and a study of more recent similar moves, pp.61, New York 1950. With frequent illustrations from D. Fontana, Della Trasportazione dell'obelisco vaticano, Rome 1590 (some of which I've digitized);
  50. Jean Delumeau, Vie economique et sociale de Rome dans la seconde moitie du XVIe siecle, 2 vols, Paris 1957-9;
  51. Exhibition, Catalogue ed. Luigi Spezzaferro & Maria Elisa Tittoni, Musei Capitolini, Il Campidoglio e Sisto V, pp.157, Rome 1991; BdJ magasin;
  52. Exhibition, Palazzo Venezia, Roma di Sisto V: arte, architettura e citta fra Rinascimento e Barocco, pp.63, Rome 1993; BdJ magasin;
  53. Francesco Ehrle, Roma prima di Sisto V: La pianta di Roma Du Perac-Lafrery del 1577, Rome 1908;
  54. Francesco Ehrle, Roma al tempo di Giulio III: La pianta di Roma di Leonardo Bufalini del 1551, Rome 1911;
  55. Thomas Frenz, Die Kanzlei der Paepste der Hochrenaissance (1471-1527), pp.562, and pp.238ff with tables, Tuebingen 1986; contemporary accounts are discussed at pp.46ff.
  56. Helge Gamrath, Roma sancta renovata: studi sull'urbanistica di Roma nella seconda meta del sec. XVI con particolare referimento al pontificato di Sisto V (1585-1590), pp.191 + 156 illus, Rome 1987; for the development of Piazza del Pololo, Ripetta and (under Clement VII) Babuino), cf. pp.20-22. Author notes that Via Flaminio (renamed to Corso) was one of the few streets preserved from Antiquity. Nor was Popolo the only trident in Rome: cf. his pl.11, which is P.Brill & A. Tempesta's fresco in Loggia del Bologna in the Vatican of the Piccolo Tridente fromPonte Sant'Angelo looking south;
  57. Sergio Gensini, ed., Roma Capitale (1447-1527), pp.632, Pisa 1994 from a convegno). DETAILS NEEDED
  58. H. Guenther, "Die Strassenplanung unter den Medici-Paepsten in Rom (1513-1534)", in Jahrbuch des Zentralinstituts fuer Kunstgeschichte 1, 1985, pp.237-293; include Piazza del Popolo;
  59. Mary Hollingsworth, Patronage in Renaissance Italy from 1400 to the early 16th century, I, 1994: pp.285ff for SM del Popolo; and II, Patronage in 16thC Italy, pp. 452, London 1996; both volumes offer good summaries of papal patronage;
  60. C. Huelsen & H. Egger, Die Roemischen Skizzenbuecher von Martin van Heemskerck im Kgl. Kupferstichkabinett zu Berlin, 2 vols, Berlin 1913-1916;
  61. John Landwehr, Splendid Ceremonies: state entries and royal funerals in the Low Countries 1515-1791: a bibliography, pp.206 + numerous unnumbered plates, Leiden 1971; done by each procession, with excellent bibliographical descriptions. But no analysis of styles, symbols etc;
  62. Karla Langedijk, The Portraits of the Medici, 15th-18th centuries, 3 vols, Florence 1981
  63. Claudia Lazzaro, The Italian Renaissance Garden, from the conventions of planting, design and ornament to the grand gardens of sixteenth-century central Italy, pp.342 + 269 illus, Yale 1990.
  64. C.A. Luchinat et al, eds, Arte delle Grotte: per la conoscenza e la conservazione delle grotte artificiali, Atti del Convegno, Florence 1985, Genoa 1987, pp.109.
  65. Elizabeth MacDougall, "Arts Hortulorum: sixteenth-century garden iconography and literary theory in Italy", in David R. Coffin, ed., Dumbarton Oaks Colloquium on the History of Landscape Architecture, I, Washington 1972;
  66. E.B. MacDougall, "L'ingegnoso artifizio: sixteenth century garden fountains in Rome", in EB MacDougall, ed., Fons Sapientiae: Renaissance Garden Fountains (Dumbarton Oaks Colloquium on the History of Landscape Architecture, V), Washington 1978, pp.87-113:
  67. Torgil Magnuson, "The project of Nicholas V for rebuilding the Borgo Leonino in Rome", in AB XXXVI June 1954, no.2, pp.89-115;
  68. Giovanni Maraicher, La scultura del Cinquecento, Turin 1987; cf. pp.74-5 for Andrea Sansovino's Ascanio Sforza monument;
  69. J.A.F. Orbaan, How Pope Sixtus V lost a road, in The Town Planning Review XV Dec 1928, pp.121-125;
  70. Michele Mercati, Degli obelischi di Roma, Rome 1589,
  71. HA Millon (ed), Architectural progress in the Renaissance and Baroque: essays ... presented to Hellmut Hager, 2 vols, Penn State 1992
  72. Andrew Morrogh, "Vasari and coloured stones", in G. G. Garfagnani, ed., Giorgio Vasari: tra decorazione ambientale e storiografia artistica, Atti del Convegno, Arezzo 1981, Florence 1985, pp.309-320;
  73. Eugene Muentz, L'art a la cour des Papes pendant le XVe et le XVIe siecle: Recueil de documents inedits tires des archives et des bibliotheques romaines, 3 vols, Paris 1878-1882. An invaluable work, done by Pope, and by project within each reign. Of interest to Popolo are: Nicholas V in the Vatican (I.110ff.); Pius II at Pienza (I.300ff) and in the Vatican (I.269ff); Paul II at the Vatican (II.32ff.); Sixtus IV at SM del Popolo (III.162-4) and his work on the ancient monuments (III.168ff.)
  74. Dorthe Nebendahl, Die schoenste Antiken Roms: Studien zur Rezeption antiker Bildhauerwerke im roemischen Seicento, pp.134, Worms 1990 (from a 1987 Kiel thesis); + 54 illus + 34pp of very useful extracts from contemporary authors. done by antique work (e.g. sections on the Laocoon, Hercules Farnese, Pasquino), on concepts (maniera greca, proportion, contrapposto), and on The Rape of Proserpina by Bernini, and Duquesnoy's S Andrew & S Susanna; But all a bit short and make-do, witness the unsatisfactorily short bibliography.
  75. Pier Nicola Pagliara, "Raffaello e la rinascita delle tecniche antiche", in Jean Guillaume, ed., Les Chantiers de la Renaissance, Actes des Colloques tenus a Tours en 1983-4, Paris 1991, pp.51-69),
  76. Pio Pecchiai, Acquedotti e fontane di Roma nel Cinquecento, Rome 1944;
  77. Goetz Pochat, Theater und Bildende Kunst im Mittelalter und in der Renaissance, Graz 1990, pp.434 & 240 illus.;
  78. Liselotte Popelka, Castrum Doloris oder "Trauriger Schauplatz": Untersuchungen zu Entstehung und Wesen ephemer Architektur, pp.216 + 154 plates, Vienna 1994;
  79. (M. Quinlan-McGrath, Blosius Palladius, "Suburbanum Augustini Chisii, Introduction, Latin text & translation, in Humanistica Lovaniensia XXXIX 1990 pp.93-155;
  80. Barbara Rietzsch, Kuenstliche Grotten des 16. und 17. Jahrhunders. Formen der Gastaltung von Aussenbau und Innenraum an Beispielen in Italien, Frankreich und Deutschland, pp.122 + 79 illus, Munich 1987).
  81. Emmanuel Rodocanachi, Rome au temps de Jules II et de Leon X, Paris 1912;
  82. Steffi Roettgen, Fresques italiennes de la Renaissance, 1400-1470, Paris 1996, pp.464 folio; and the succeeding volume for frescoes 1470-1510, Paris 1997, pp. 472 folio. For SM del Popolo cf II p.296ff for Pintoricchio (Capella Basso della Rovere) and II pp.279ff for Pinturicchio in the Capella Domenico della Rovere.
  83. ID Rowland, "Render unto Caesar the things which are Caesar's: humanism and the arts in the patronage of Agostino Chigi", Renaissance Quarterly 1986 39(4) 673-730;
  84. John Shearman, Only connect: art and the spectator in the Italian renaissance (The mellon Lectures), Princeton 1992, pp.178ff;
  85. Giorgio Simoncini, Roma restaurata: rinnovamento urbano al tempo di Sisto V, pp.233, Florence 1990;
  86. Luigi Spezzaferro & Maria Elisa Tittoni, eds., Il Campidoglio di Sisto V, pp.157 + 110 illus, Rome 1991, in which cf. Serena Ensoli Vittozzi & Claudio Parisi Presicce, "Il reimpiego dell'antico sul colle Capitolino sotto il Pontificato di Sisto V", at pp.85-115;
  87. A di Castro, P. Peccolo, V. Gazzaniga, Marmorari e argentieri a Roma e nel Lazio tra Cinquecento e Seicento: i commitenti, i documenti, le opere, ed. V. Martinelli, pp.366, Rome 1994
  88. Wilde Tosi, Il magnifico Agostino Chigi, Ass. Bancaria Italiana, Rome 1970;

    SM del Popolo

  89. Felix Ackermann, "Berninis Umgestaltung des Innenraumes von SM del Popolo unter Alexander VII (1650-1659)", Roemisches Jahrbuch der Bibl.Hertziana 1996 v.31, pp.369-426; Bernini apparently selected paintings, as well as doing the angels, renovation of the nave and side aisles, transept and its altars. Contains an appendix on the heraldry represented;
  90. George & Linda Bauer, "Bernini's organ-case for SM del Popolo", in AB LXII/1 March 1980 pp.115-123; organ case in form of a gilded tree, which reprises Renaissance ideas of regenerating plant life to become an emblem of Christian renovatio Romae;
  91. Massimo Boresti and Franco Marricchi, "Il prospetto di Santa Maria del Popolo", in Quaderni dell'Istituto di Storia dell' Architettura 1993 no.21 pp.75-8; says unit of measure for facade corresponds to that used in Lombardy;
  92. Luigi Borgia, "Ornamentazione araldica in tre monumenti funebri romani", in Archivio Storico Italiano 1989 147/3 509-524; - DOES THIS BELONG HERE??
  93. Martin Bressani, "Projet de Labrouste pour le tombeau de l'empereur Napoleon: essai d'interpretation symbolique cde l'architecture romantique", in Revue de l'Art no.125 1999-3, pp.54-63. Labrouste's response to the 1841 competition was a huge shield supported on four eagles, aloowing the viewer to glimpse underneath the ebony coffin on a marble pyramid - a crypt the design of which the author links to Etruscan sources.
  94. Anna Cavallaro, "Introduzione alle capelle maggiori in SM del Popolo in Roma", in Umanesimo e rinascimento: studi offerti a PO Kristeller, ed. V.Branna, Florence 1980, pp.75-84;
  95. Raffaelle Colantuoni, La chiesa de SM del Popolo negli otto secoli dalla sua fondazione (1099-1899), Rome 1899
  96. Philipp Fehl, "Raphael as archaeologist", in Archaeological News IV/2-3 summer-fall 1975 pp.29-48;
  97. Barbara Frale, "Ceramiche di eta medievale e moderna a Roma e nel Lazio", in RR Roma nel Rinascimento 1994 v.10 pp.283-4; summarises a conference paper which includes the majolica pavement in the Cappella G. Basso della Rovere;
  98. CL Frommel, "Raffaello e gli ordini architettonici", in Jean Guillaume, ed., L'Emploi des Ordres a la Renaissance, Actes du Colloque tenu a Tours 1986, pp.373, many illus., Paris 1992, pp.119-13;
  99. C.L Frommel, "Das Hypogeum Raffaels unter der Chigikapelle in SM del Popolo zu Rom", in Kunstchronik XXVII/10 Oct 1974 pp.344-348; precedes his "Raphael as Architect" volume;
  100. Hellmut Hager, "La cappella del cardinale Alderano Cybo in SM del Popolo", in Commentari XXVI/1-2 Jan-June 1974 pp.47-61;
  101. Michael Hesse, "Berninis Umgestaltung der Chigi-Kapelle in SM del Popolo im Rom", Pantheon XLI/2 Apr-June 1983, pp.109-126; left unfinished by Raphael,Bernini attempts reintegration of form and iconography;
  102. Constance Hill, editor, Courtauld Institute Illustration Archives, Archive 2, 15th & 16th Century Sculpture in Italy, Part 1, Rome: S Maria del Popolo & S Maria di Monserrato, viii + 148 illus, London 1976; for a photographic census;;
  103. Michael Kuehlenthal, "Das Grabmal Pietro Foscaris in SM del Popolo in Rom, ein Werk des Giovanni di Stefano", in Mitt KHI Florenz XXVI/1 1982 pp.47-62; tomb is in the Baptismal Chapel;
  104. Emilio Lavagnino, S Maria del Popolo, Rome 1925;
  105. Giovanni Rotondi, La chiesa di SM del popolo e i suoi monumenti, Rome 1930;
  106. Cecilia Magnusson, "The antique sources of the Chigi Chapel", in Konsthistorisk Tidskrift LVI/4 1987 pp.135-9;
  107. Cecilia Magnusson, "Lorenzetto's statue of Jonah, and the Chigi Chapel in SM del Popolo", in Konsthistorisk Tidskrift LVI/1 1987 pp.19-26;
  108. Priscilla Grazioli Medici, "Sixteenth and seventeenth-century marble incrustations in Rome: the Chigi Chapel", in J.Shearman (ed), Princeton Raphael Symposium, Princeton 1990, pp.93-98 - attempts to distinguish the 16th from the 17thC work;
  109. William Melczer, "Raffaello e il neoplatonismo: la Capella Chigi di SM del Popolo", in Raffaello e Europa, ed M. Fagiolo, Rome 1990, pp.153-75 - concentrates on pyramids;
  110. Montserrat Moli Frigola, "L'impiego delle opere e dei luoghi di Raffaello nelle feste a Roma", in M. Fagiolo (ed), Raffaello e l'Europa, Rome 1990, pp.403-447 - discusses events held in the Chigi chapel;
  111. Olga Raggio, "Bernini and the collection of Cardinal Flavio Chigi", in Apollo CXVII/255 May 1983 368-379 (incl Charity with two children for Chigi Chapel);
  112. Stefano Ray, "Il sepolcreto della Cappella Chigi e altre note raffaelesche", in Bollettino: centro di studi per la storia dell'architettura XXIV 1976 pp.89-92; speculates that Raphael intended chapel and crypt as a unified complex, and thinks the one in the crypt might have been illuminated from above;
  113. Stefano Ray, "La Cappella Chigi: significato e cultura", in Raffaello e Roma: il convegno del 1983, Rome 1986, pp.315-321;
  114. John Shearman, "Pentimenti in the Chigi Chapel", in M. Barash et al editors, Art the Ape of Nature, studies in honor of HW Janson, NY 1981, pp.219-222; offers antique sources for the pyramids;
  115. Simonetta Valtieri, "SM del Popolo in Roma", in Architettura: cronache e storia XXI May 1975 pp.44-55; maintains that the church was already complete (except for Chigi Chapel) under Alexander VI;
  116. Simonetta Valtieri Bentivoglio, "Il coro di SM del Popolo e il coro detto "del Rossellino" di S Pietro", Mitt KHI Florenz XX/2 1976, pp.197-204; i.e. similarity with Brante's smpop choir;
  117. Kathlees Weil-Garris, "Cosmological patterns in Raphael's Chigi Chapel in SM del Popolo", In Raffaello a Roma: il Convegno del 1983, pp.127-158;

    Piazza del Popolo and environs

    <
  118. Thomas Ashby & Rowland Pierce, The Piazza del Popolo, Rome: Its history and development, in The Town Planning Review, Dec 1924, XI.2, pp.75-6;
  119. S. Benedetti, "Il tridente romano di Piazza del Popolo", in Quaderni dell'Ist Storia dell'Architettura Roma 1981 pp.163-8, 91-3; series 26, fasc. 163/168, 1981, pp.91-2 and figs 3-80;
  120. Carlo Brandini, "Piazza del Popolo e le sue adiacenze", in Capitolium VI 1930, pp.237-248;
  121. T. Carunchio, "Il colle del Pincio", in Capitolium 51, 4; pp.33-43; concentrates on the ambitious projects of 1793-4;
  122. Giorgio Ciucci, La piazza del popolo: storia, architettura, urbanistica, pp.189 , well illustrated, with a list of inscriptions and a chronology, Rome 1974.
  123. Roberto Fregna & Salvatore Polito, "Fonti di archivio per una storia edilizia di Roma. Primi dati sull'urbanizzazione dell'area del tridente", in Controspazio IV July 1972, no.7, pp.2-14;
  124. Hellmut Hager, "Zur Planungs- und augeschichte der Zwillingskirche auf der Piazza del Popolo", in Roemische Jahrbuch fuer Kunstgeschichte XI, 1967-8, pp.191-296;
  125. Guglielmo Matthiae, Piazza del Popolo attraverso i documenti del primo ottocento, Rome 1946;
  126. Pio Paschini, Da Ripetta a Piazza del popolo, Note4 di edilizia cinquecentesca, in Roma, Rivista di Studi Romani III 1925, pp.211-220;
  127. B. Regni e M. Sennato, "Lettura di due nodi urbani", in Capitolium 50 1975, 9-10, pp.66-9; i.e. Quirinal and Popolo;
  128. G. Sacchi Lodispoto, "Archi trionfali in piazza del Popolo in onore di Pio IX", in Strenna dei Romanisti 39, 1978, pp.400-410 i.e. 1846-57 after drawings by A.Busiri Vici;
  129. Ermanno Ponti, "Come sorse e come scompare il quartiere attorno al Mausoleo di Augusto", in Capitolium XI, May 1935, pp.235-240;
  130. Katherine Walsh, "Paepstliche Kurie und Reforideologie am Beispiel von S, del Popolo in Rom", Archivium Historiae Pontificiae 1982 20 129-161;
  131. Rudolf Zeitler, "Ueber den kunstlerischen Charakter der Piazza del Popolo in Rom", Convegno Arte Neoclassica, Venice 1957, Atti, Venice 1964, pp.245-255;

    Baroque

  132. Charles Avery, Bernin, le genie du Baroque (or English edition, Bernini, Genius of the Baroque, London 1997), pp.287 + 400 illus, Paris 1998, with an excellent chapter on Le tombeaux des papes: Bernin et la mort at pp.119-139;
  133. Author??? Piazza Navona: immagine tra ricerca e didattica, pp.136, Univ. degli Studi La Sapienza, Rome 1991
  134. GC Bauer, GL Bernini, the development of an architectural iconography, Princeton PhD, pp.171, Princeton 1974; includes SM del Popolo;
  135. Franco Borsi, Bernini architetto, 3rd ed., Milan 1996;
  136. A. Cipriani et al, eds, Bernini in Vaticano, exhibition, Vatican 1981;
  137. Judith Bernstock, "Bernini's memorial to Maria Raggi", in AB 62.2, June 1980, pp.243-255;
  138. A Blunt, "Roman baroque architecture: the other side of the medal", Art History 3.1, March 1980, pp.61-80;
  139. Stefano Borsi, La Roma di Urbano VIII: la pianta di Giovanni Maggi, 1625, pp.138, Rome 1990;
  140. Hellmut Hager, "Puntualizzazioni su disegni scenici teatrali e l'architettura scenografica del periodo barocco a Roma", in Bollettino del Centro int. du studi di Architettura Andrea Palladio XVII 1975 pp.119-129; suggests reciprocal influence between Piazza del Popolo and the Teatro Olimpico;
  141. Francesco Ehrle, Roma al tempo di Clemente VIII: la pianta di Roma di Antonio Tempesta del 1593, Vatican 1932;
  142. Francesco Ehrle, Roma al tempo di Clemente X: la pianta di Roma di Giambattista Falda del 1676, Rome 1931;
  143. DM Habel, "Bernini's d'Aste family tombs in SM in Via Lata", AB 79 June 1997 291-300;
  144. R. Krautheimer, "'Il porton di questo giardino': an urbanistic project for Rome by Alexander VII (1655-1667)", in JSAH Philadelphia Pa 42, 1, for 1983, pp.35-43; project to link the gardens of the Quirinal to the Via Duca Macelli and the Piazza del Popolo;
  145. Richard Krautheimer, The Rome of Alexander VII, 1655-1667, pp.199, Princeton 1985;
  146. Antonia Nava Cellini, La Scultura del Seicento, Turin 1982, pp.64 for Algardi, p.92 for the organ angel; p.52 for Bernini in the Chigi Chapel, p.102 for the Cybo Chapel, and p.52 for the stucco angels of the nave;
  147. Verena Keil-Budischowsly, "Barocke Buehnendekorationen fuer den Wiener Kaiserhof", in Goetz Pochat & Brigitte Wagner, eds., Barock regional - international, Kunsthistorisches Jahrbuch Graz, Graz 1993, pp.353-64, and NB especially the Galli-Bibiena; this whole topic is important, Given the decidedly and deliberately scenic appearance of the trident on the Piazza, which doesn't only relate to Palladio, Vitruvius and Serlio;
  148. Michael Kiene, Das Architekturcapriccio in Bild und Architekturtheorie, in Mai 1996, pp.83-93 `
  149. Ekkehard Mai, editor, Das Capriccio als Kunstprinzip: zur Vorgeschichte der Moderne von Arcimboldo und Callot bis Tiepolo und Goya, Malerei, Zeichnung, Graphik, exhibition Cologne, Zuerich & Vienna 1997, pp.407 + plentiful illus, Milan 1996
  150. Laurie Nussdorfer, Civic politics in the Rome of Urban VIII, pp.287, Princeton 1992;
  151. TA Marder, "Alexander VII, Bernini and the urban setting of the Pantheon in the 17thC", JSAH 1991 50(3) 273-292;
  152. T. Magnuson, Rome in the age of Bernini, 2 vols 1986
  153. C.C. Kelly, "C Rainaldi, N. Michetti and the patronage of Card G. Sacripante", JSAH 1991 50(1) 57-67;
  154. Jennifer Montagu, Roman baroque sculpture: the industry of art, New Haven & London 1989
  155. Jennifer Montagu, "Antonio Raggi in SM della Pace", in BM 1994 v.136 No 1101 Dec pp.836-9 NB della Pace, not del Popolo;
  156. Steven F. Ostrow, Art & siprituality in counter-Reformation Rome: the Sistine and Pauline Chapels in SM Maggiore, Cambridge 1996, pp.385.
  157. Gisella Wataghin Cantino et al., Special issue, "Rome in the year 1600", Ricerche di storia dell'arte no.10, June 1980, pp.5-99;

    18thC to Neoclassicism & Valadier

  158. Dominique Brard et al, Dominique-Vivant Denon, l'oeil de Napoleon, pp.539 + 634 illus, + chronology at pp.494-507, Exhibition, Musee du Louvre 1999/2000, Paris 1999.
  159. Massimiliano David et al., Fragments de la Rome antique dans les dessins des architectes francais vainqueurs du Prix de Rome 1786-1924, pp. 222 + profusely illustrated, folio, Franch trans Paris 1999, original Italian edition Novara 1998. With an overview by Annie Jacques of "Le Grand prix de Rome d'Architecture" at pp.10-21. See also Massimiliano David at pp.36-51 on "Rome Capitale: urbanisme et archeologie". There is also included at pp.54-61 some sections of Lanciani's Forma Urbis of 1893-1901.
  160. Pierre de la Ruffiniere du Prey, The villas of Pliny from Antiquity to Posterity, Chicago & London 1994, pp.377;
  161. Francesco Ehrle, Roma al tempo di Benedetto XIV: la pianta di Roma di Giambattista Noli del 1748, Vatican 1932;
  162. Hanns Gross, Rome in the Age of Enlightenment: the post-Tridentine syndrome and the ancien regime, pp.411, Cambridge etc 1990. cf especially pp.310-330 for "Antiquarianism and neoclassicism"; excellent bibliography at pp.371-392;
  163. Jean-Louis Harouel, L'embellissement des villes: l'urbanisme francais au XVIIIe siecle, Paris 1993,
  164. Antionette Le Normand-Romain, Memoire du marbre: la sculpture funeraire en France 1804-1914, Paris 1995, pp.447 & 586 illus.
  165. C de Jong & E. Mattie, Architectural Competitions 1792-1949> , Cologne 1994].
  166. A Jacques & R. Miyake, Les dessins d'architecture de l'Ecole des Beaux Arts, Paris 1988;
  167. J.A. Leith, Space and revolution: projects for monuments, squares, and public buildings in France 1789-1799, Montreal etc 1991, pp.363;
  168. Isabelle Leroy-Jay Lemaistre "Les commandes de sculptures" (i.e. by Vivant Denon) in Brard 1999, 352-365;
  169. Maria Sofia Lilli, Aspetti dell'arte neoclassica: sculpture nelle chiese romane 1780-1845, Ist.Naz.Studi Romani pp.262 Rome 1991
  170. Marina Natoli, ed., Luciano Bonaparte: le sue collezioni d'arte, le sue residenze a Roma, nel Lazio, in Italia (1804-1840), pp.413, richly illustrated, Rome 1995. See especially Paolo Liverani, "La collezione di antichia classiche e gli scavi di Tusculum e Musignano" at pp.49-79;
  171. Giuseppe Olmi, "Recherches archeologiques et formation des collections publiques en Italie centrale et septentrionelle au XVIIIe siecle", in Pommier 1993, pp.299-333;
  172. Chantal Orgogozo, "Le Voyage dans la Basse et la Haute Egypte" (i.e. by Napoleon;s expeditionary force) in Brard 1999, pp.108-127
  173. Pierre Pinon & Francois Xavier Amprimoz, Les envois de Rome (1778-1968): architecture et archeologie, Coll. de l'Ecole Fr. de Rome, pp.458, Rome 1988.
  174. Edouard Pommier CHECK SURNAME, ed., Les Musees en Europe a la veille de l'ouverture du Louvre, Actes du Colloque ... a l'occasion du bicentenaire de l'ouverture du Louvre, 1993, pp.647, illus, Paris 1995;
  175. Krzysztof Pomian, "Lecons Italiennes: les musees vus par les voyageurs francais au XVIIIe siecle", in Pommier 1993, pp.337-361;
  176. Alain Pougetoux, "De la Republique des Arts au peuple artiste" (i.e. milieu of Vivant Denon) in Brard 1999, pp.340-351;
  177. Anne Spagnolo-Stiff, Die :"Entree Solennelle": Festarchitektur im franzoesischen Koenigtum (1700-1750, pp.381 + 130 plates, Weimar 1996. An excellently thorough and detailed treatment, which sets French Entrees in context, the good tgreatment of theory and iconography;
  178. D. Stillman, "British architects and Italian architectural competitions 1758-1780" JSAH 1973 32(1) 43-66
  179. Flaminio Vacca, Miscellanea filologica, critica e antiquaria, Rome 1790

    Valadier

  180. Daniel Alcouffez, Luigi Valadier au Louvre, ou l'antiquite exaltee, pp.189, Dossier du M. du Louvre, 1994/5, Paris 1994 No 31903623
  181. Bruno M. Apollonj Ghetti, "Il primo projetto del Valadier per la sistemazione della Piazza del Popolo", in Capitolium XVIII July 1943, no.7, pp.211-220;
  182. Ferdinand Boyer, "L'architecte Giuseppe Valadier et le projet de la Villa Napoleon a Rome", 1809, in Etudes Italiennes Jan-Feb 1931.1, pp.41-45;
  183. (David Carritt, London) Valadier: three generations of Roman goldsmiths: an exhibition of drawings and works of art, pp.183, London 19981;
  184. D. Di Castro & AM Pedrocchi," Giuseppe Valadier et il servizio di Palazzo Pallavicini", in Antologia di Belle Arti 1991-2 nos.39-42 pp.111-114;
  185. M. Damiani, "Orvieto: i restauri valadieriani della facciata del Duomo", in Ricerche di storia dell'arte 1994 no.52 pp.78-82;
  186. Elisa Debenedetti, Valadier, diario architettonico, pp.139, Rome 1979
  187. Elisa Debenedetti, Valadier: segno e architettura, exhibition, Calcografia Nazionale, pp.444, Rome 1985-6; with an appendix of douments 1783-1839;
  188. Carlo Gasbarri & Vittorio E. Giuntella, Due diari della reppublic romana del 1798-9, Rome 1958;
  189. A Gonzalez-Palacios, Valadier: le plus grand orfevre romain du XVIIIe siecle, exhibition, Paris 1995;
  190. Paola Hoffmann, La Casina Valadier, Rome 1966;
  191. Paola Hoffmann, Il monte Pincio e la casina Valadier, Rome 1967;
  192. Attilio La Padula, Roma e la regione nell'epoca napoleonica. Contributo alla storia urbanistica della citta e del territorio, Rome 1969? pp.272
  193. RF. Luciani, "Il restauro di un palazzo del Valadier", in Strenna dei Romanisti 1989 pp.275-82 - i.e. Palazzo Torlonia in Piazza del Popolo
  194. Paolo Marconi, Giuseppe Valadier, pp.271 + 142 illus, Rome 1964; sxmall and lowish-quality illustrations, and text takes up only one of possible two-columns-width per page. So not a long book. Treats the whole of Valadier's career, with pp.80-93 for I primi studi per la piazza del Popolo, and pp.168-87 for L'occupazione francese;
  195. E. Moncrieff, "Valadier workshop drawings: the discovery of a goldsmith's archive", in Apollo 1991 v.133 no.351 pp.315-319 -i.e. collection of circa 1350 drawings bundled up in 1880, and not e3xamined since then, exhibited by David Carritt (see item above);
  196. Raffaelle Panella, Roman citta e foro: questioni di progettazione del centro archeologico monumentale della capitale, pp.391 + 389 figs, Rome 1989. cf. Gaia Remiddi, Scavi e restauri al foro nell'opera di Giuseppe Valadier, at pp.251-270. This includes some of Valadier's excellent and precise drawings (1812ff) of architectural elements, which the author displays by monument;
  197. Pierre Pinon, "Berthault ou Valadier? La Place du Peuple et le jardin du GranD Caesar a Rome", in Monuments Historiques 1992 no.180 mqars-avril pp.19-24;
  198. Gaia Remiddi, "Scavi e restauri al foro nell'opera di Giuseppe Valadier", in Panella 1989, pp.251-270.
  199. Alessandro Tagliolini, Storia del giardino italiano: gli artisti, le forme dall'antichia al XIX secolo, pp.407 + 252w illus + 44 plates, 2nd ed., Florence 1991. cf. pp.349-351 for the setting of Valadier's design in the history of Italian gardening;
  200. Giuseppe Valadier, Opere di architettura e di ornamento ideate ed eseguite da G.V. Cav etc accompagnate colle opportune spiegazione, Rome 1833
  201. Giuseppe Valadier, L'architettura pratica dettata nella scuola e cattedra dell'Insigne Accademia di S. Luca dal prof. Sig. Cav. G.V., Rome, Rocrue & Catesi, 1828-1831-1833;
  202. Giuseppe Valadier, Raccolta delle piu insigni fabbriche di Roma antica e sue adiacenze, misurate nuovamente e dichiarate dall'Architetto G.V., illustrate con osservazioni antiquarie da F.A. Visconi, ed incise da V. Feoli, Rome, De Romanis, 1810-1826;
  203. Giuseppe Valadier, Progetti architettonici per ogni specie di fabbriche in stili ed usi diversi inventati dall'Architetto Camerale G.V., Accademico di S. Luca ecc. disegnati da Luigi Maria V. figlio con una succinta spiegazione delli medesimi incisi e pubblicati da Vincenzo Feoli, Rome, presso l'incisore, 1807
  204. Giuseppe Citeroni-Valadier, Raccolta di diverse invenzioni di n. 24 fabbriche contenenti Chiese Ospedali Palazzi Casini di Campagna ed altre incise a bulino in n.24 tavole con le loro respettive piante e spaccati, Rome, Agapito Franzetti, 1796;
  205. Louis Madelin, La Rome de Napoleon: la domination francaise a Rome de 1809 a 1814, pp.727 + plans, Paris 1906; largely historicaql, but with an excellent chapter 'Un Gouvernement Athenien" at pp.527-551, which looks briefly at cultural life, and some very energetic archaeological excavations to xclear things up e.g. Forum, which employed 1200 workmen for four years. What is the recent book that does this period in detail???

    19th century (after Valadier) & 20th centuries

  206. Carlo Aymonio, Progettare Roma capitale, pp.399, Rome/Bari Laterza, 1990;
  207. Luigi di Majo, L'EUR e Roma, dagli anni Trenta al Duemila, pp.290, Bari 1986; BdJ magasin;
  208. Vanna Fraticelli, Roma 1914-1929: la citta e gli architetti tra la guerra e il fascismo, pp.460, Rome 1982; BdJ magasin;
  209. A Tagliolini (ed) Il giardino italiano dell'Ottocento nelle immagini, nella letteratura, nelle memorie, pp.365, Milan 1990;
  210. The Storia dell'arte in Italia (UTET, Turin) does it by century, and by place within centuries, but Quattrocento volume only has an index only of people, not individual monuments, which is daft. 

  211. Some bibliography to sift
=========================



Pierluigi Eroli, Dopo l'amnesia restitutio et renovatio
urbis Romae, pp.64, Rome, Gamgemi, 1985; BdJ magasin;

Exhib., Palazzo delle esposizioni, La capitale a Roma: citta e
arredo urbano 1870-1945, pp.313, Rome 1991; BdJ magasin;


Giuseppe Cuccia, Urbanistica, edilizia, infrastruttura di Roma capitale,
1870-1990: una cronologia, pp.329, Bari 1991; BdJ magasin;

Exhibition: Saint, site and sacred strategy: Ignatius, Rome and Jesuit
urbanism, Bibl. Apost.Vaticana, pp.232, Vatican City 1990; BdJ magasin;

(Cassa di Risparmio di Roma), Via del Corso, pp.355, Rome 1961

Olivier Bonfait, Rome capitale artistique et villages de
peintres: un programe informatique pour etudier la population
romaine a partir des "stati dell'anime, Roma Moderna e
Contemporanea 1996 4(1) 217-231;




Jose Luis Sancho, Dos vistas romaqnas de4 Juan de Villanueva,
in Reales Sitios 1997 v.34 no.131 p.69 - two drawings
of Piazza del Popolo, private collection, of 1763;


Gabriela Delfini et al, Fabbriche romane del primo '500: cinque
secoli di restauri, pp.436, Rome 1984; with substantial chapter
on the Chigi Chapel;

Luciana Cassanelli & Sergio Rossi, I luoghi di Raffaello a
Roma, pp.196, Rome 1984;


BB Fredericksen, New information on Raphael's Madonna di
Loreto, in J Paul Getty Museum Journal III 1976 pp.5-45;
originally painted for SM del Popolo;

Roberto Cannata, Anna Cavallaro, Claudio Strinati and
Pico Cellini, Umanesimo e primo rinascimento in Sm del Popolo,
pp.112, Rome 1981; on the church from its reconstruction
in 1472 to the decoration of the vault of the choir by
Punturicchio in 1509;


  212. D. R. Coffin, Gardens and gardening in Papal Rome,
Princeton 1991

D. R. Coffin, The Lex Hortorum and access to gardens of Latium during
the Renaissance, in Jnl of Garden History 2, 1982, 3, pp.227-232;


And in the Institut:




Alvar Gonzalez-Palacios, L'oro di Valadier: un genio nella
Roma del Settecento, Exhib, V. Medici pp.270, Rome 1997
No 37403576


Alfonso Vanegas Rizo, The Palazzo del Cardinale della
Rovere at the Piazza SS Apostoli in Rome, in Ist. Storia
dell'Architettura, Quaderni serie 24, fasc. 139/150, 1977/8,
pp.3-12;