The domestic life of the Middle Ages was a product of popular morals, or if we prefer to put it otherwise, a result of the inborn tendencies of national life, modified by the varied circumstances which affected them. Chivalry at the time of its splendor left domestic economy untouched. The knight wandered from court to court, and from one battlefield to another. His homage was given systematically to some other woman than his own wife, and things went how they might at home in the castle. The spirit of the Renaissance first brought order into domestic life, treating it as a work of deliberate contrivance. Intelligent economical views, and a rational style of domestic architecture served to promote this end. But the chief cause of the change was the thoughtful study of all questions relating to social intercourse, to education, to domestic service and organization.
The most precious document on this subject is the treatise on the management of the home by Agnolo Pandolfini (actually written by L. B. Alberti, d. 1472). He represents a father speaking to his grown-up sons, and initiating them into his method of administration. We are introduced into a large and wealthy household, which, if governed with moderation and reasonable economy, promises happiness and prosperity for generations to come. A considerable landed estate, whose produce furnishes the table of the house, and serves as the basis of the family fortune, is combined with some industrial pursuit, such as the weaving of wool or silk. The dwelling is solid and the food good. All that has to do with the plan and arrangement of the house is great, durable and costly, but the daily life within it is as simple as possible. All other expenses, from the largest in which the family honour is at stake, down to the pocket-money of the younger sons, stand to one another in a rational, not a conventional relation. Nothing is considered of so much importance as education, which the head of the house gives not only to the children, but to the whole household. He first develops his wife from a shy girl, brought up in careful seclusion, to the true woman of the house, capable of commanding and guiding the servants. The sons are brought up without any undue severity, carefully watched and counselled, and controlled 'rather by authority than by force.' And finally the servants are chosen and treated on such principles that they gladly and faithfully hold by the family.
One feature of that book must be referred to, which is by no means peculiar to it, but which it treats with special warmth-- the love of the educated Italian for country life. In northern countries the nobles lived in the country in their castles, and the monks of the higher orders in their well-guarded monasteries, while the wealthiest burghers dwelt from one year's end to another in the cities. But in Italy, so far as the neighbourhood of certain towns at all events was concerned, the security of life and property was so great, and the passion for a country residence was so strong, that men were willing to risk a loss in time of war. Thus arose the villa, the country-house of the well-to-do citizen. This precious inheritance of the old Roman world was thus revived, as soon as the wealth and culture of the people were sufficiently advanced.
Pandolfini finds at his villa a peace and happiness, for an account of which the reader must hear him speak himself. The economical side of the matter is that one and the same property must, if possible, contain everything- corn, wine, oil, pastureland and woods, and that in such cases the property was paid for well, since nothing needed then to be got from the market. But the higher enjoyment derived from the villa is shown by some words of the introduction: 'Round about Florence lie many villas in a transparent atmosphere, amid cheerful scenery, and with a splendid view; there is little fog and no injurious winds; all is good, and the water pure and healthy. Of the numerous buildings many are like palaces, many like castles costly and beautiful to behold.' He is speaking of those unrivalled villas, of which the greater number were sacrificed, though vainly, by the Florentines themselves in the defence of their city in 1529.
In these villas, as in those on the Brenta, on the Lombard hills, at Posilippo and on the Vomero, social life assumes a freer and more rural character than in the palaces within the city. We meet with charming descriptions of the intercourse of the guests, the hunting-parties, and all the open-air pursuits and amusements. But the noblest achievements of poetry and thought are sometimes also dated from these scenes of rural peace.